Thin Air : a portfolio of 12 copperplate photogravure prints of Ladakh.
$ 99.70
[Ladakh and Melbourne : the artist, 2013]. Complete suite of twelve copperplate photogravures, printed in an edition of 5; 290 x 390 mm (plate size), 395 x 485 mm (sheet size); all titled and dated 2013 by the artist lower left, and signed by the artist lower right in 2023; very fine, loosely housed in a custom handmade protective box. Acclaimed photographer Robert Ashton’s series of copperplate photogravures were produced from his own photographs taken during his visit to Ladakh in 2013. ‘When photographer Robert Ashton arrived in the barren plateaus of India’s northern Ladakh region, the snow had just melted, leaving the markings of rivulets in the scree slopes. The atmosphere was so clear the distant blue mountains were crisp and vivid. He wasn’t there only to photograph the remarkable landscape; the disputed border zone between India and Pakistan bears the scars of a long history of war. Ashton first visited India with a camera as a 22-year-old in the 1970s. For his latest body of work Thin Air he returned to document the fading mementos of war among the mountains: bomb shelters, shrines, monuments to fallen Indian soldiers. “I wanted to photograph the absolute pristine beauty of the place with the added motifs of the history of war. I was interested in the way these relics were melting and reintegrating back into the landscape,” Ashton said. “Because of the nature of the atmosphere, things were preserved in a a strange way.” … “I was drawn to the barren beauty and the exquisite light of the landscape,” Ashton said.’ (Ella Rubeli, SMH, 21 August 2015) ROBERT ASHTON studied photography in the 1970s at Prahran College under Paul Cox and Athol Shmith, and first exhibited his work at Brummels Gallery of Photography (Australia’s first gallery devoted specifically to photography) in 1973. Since that time he has been exhibiting continuously and has work held in many of the public collections in Australia including the National Gallery of Victoria, the Art Gallery of NSW and the National Gallery of Australia. His work is also held in private collections in USA and Europe. His main area of practice has been in landscape and particularly the local landscape along the west coast of Victoria, where he has been living since 1982. His work embraces a range of photographic mediums from digital to large format analogue, in particular photogravure printing and more recently wetplate collodion. ROBERT ASHTON: EXHIBITIONS 1973 Faces and Places Brummels Gallery, Melbourne 1974 Into the Hollow Mountains Brummels Gallery, Melbourne. 1976 Between Light and Dark Centre for Photography, Sydney, Brummels Gallery, Melbourne 1976 Between Light and Dark Brummels Gallery, Melbourne 1979 Adventures in Paradise? Church Street Photographic Centre, Melbourne 1979 Adventures in Paradise? Australian Centre for Photography, Sydney 1987 Photogravure Images United Artists Gallery, Melbourne 1990 What are you Doing? What are you Saying? Luba Bilu Gallery, Melbourne 1993 Hidden Things Qdos Gallery, Lorne 2000 Life Sanctuary Patricia Autore Gallery, Melbourne. 2001 Different Dreams-Same Reality Patricia Autore Gallery, Melbourne 2003 Evidence Little Malop Gallery, Geelong. 2005 Visual Instinct Libby Edwards Gallery , Melbourne. 2006 Recognition Pigment Gallery, Prague. 2007 Snapshots from the Edge QDOS Gallery, Lorne 2009 Photographs from The Edge Monash Gallery of Art, Melbourne 2012 Postmortem Edmund Pearce Gallery, Melbourne. 2013 Interior/Exterior Edmund Pearce Gallery, Melbourne. 2014 Into The Hollow Mountains Colourfactory Gallery, Melbourne 2014 Interior/Exterior Postmortem gravures Black Eye Gallery, Sydney 2015 Thin Air QDOS Gallery Lorne , Colourfactory Gallery, Melbourne 2021. Bush Theatre QDOS Gallery, Lorne 2023 Everything Is True. QDOS Gallery, Lorne SELECTED GROUP EXHIBITIONS 1982 Ray Hughes Gallery, Brisbane 1988 The Thousand Mile Stare, Australian Centre for Contemporary Art 1998 Waterproof-Centro Cultural de Belem, Lisbon Portugal 2003 Australian Photographic Portrait Prize, Art Gallery of NSW 2007 Ulrich/Schubert Photography Prize , Gold Coast Art Gallery. 2007, 2009, 2012, 2015, 2017,2018, 2023 Bowness Photography Prize, Monash Gallery of Art. 2023. Everything is True. Ballarat photo Biennale 2023 Everything is True. Pingyao Photo Festival, Pingyao China SELECTED PUBLISHING 1974 Into The Hollow Mountains – a Portrait of Fitzroy 1981 A Day in The Life of Australia 1988 The Thousand Mile Stare 1990 Twenty Contemporary Australian Photographers 1992 Sites of the Imagination 1999 Waterproof : water photography since 1852 2003 Trace : Photos & Poetry (with Gregory Day) SELECTED COLLECTIONS National Gallery of Australia; National Gallery of Victoria; Art Gallery of New South Wales; Tasmanian Museum and Art Gallery; Phillip Morris Collection; Melbourne City Council; Waverley City Council; John Sands Collection; Charles Darwin University, as well as many public and private collections in Australia, USA, Malaysia and Czech Republic.


Under the spell of the tall poppies : from the series “Oz” (1998)
Image 384. Portfolio ’81
Tommy Woodcock and Reckless 1977 (printed 2010)